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Christopher Walken’s bottle-blonde Übermensch terrorist Max Zorin is hatching a plan to destroy Silicon Valley—in 1985 this was considered a bad thing—and only 007 stands in his way. Roger Moore, the most camp of James Bonds in one of his most camp efforts, singlehandedly invents snowboarding before the end of A View to a Kill’s first reel and trails Grace Jones, as Zorin’s Amazonian sidekick May Day, on a breakneck pursuit through Paris that includes a parachute jump from the Eiffel Tower and a chase in one half of a bisected Renault! The only thing more thrilling than that set piece and the Golden Gate Bridge climax is the Duran Duran title song.